Héritages et Constructions dans le Texte et l'Image

HCTI
HÉRITAGES ET CONSTRUCTIONS DANS LE TEXTE ET L'IMAGE

Elizabeth Mullen

  • Elizabeth Mullen. “Not all Handmaids”: Fraught Representations of Race in The Handmaid’s Tale (Hulu, 2017-). Colloque “Genre & écrans : L’intersectionnalité dans les séries télévisées et le cinéma anglophones », Université Le Havre Normandie, Mar 2020, Le Havre, France. ⟨hal-03005749⟩
  • Elizabeth Mullen. Of Disobedient Machines and Damsels in Distress: Technology and Gothic Feminism in Westworld”. Colloque international “Technology, Women, and Gothic Horror On Screen”, University of Kent, May 2019, Canterbury, France. ⟨hal-03005680⟩
  • Elizabeth Mullen. A “Dubious American Fable”: Rugged Individualism, Masculine Malaise and Grotesque Institutional Matriarchy in One Flew Over the Cuckoo’s Nest (Ken Kesey, 1962, Milós Forman, 1975). Congrès annuel AFEA (Association Française des Etudes Américaines) « Disciplines/Indisciplines », Université de Nantes, May 2019, Nantes, France. ⟨hal-03005681⟩
  • Elizabeth Mullen. Ordinary” Horror(s): Adapting Feminism, Facts and Fear in The Handmaid’s Tale (Atwood 1985, Miller 2017-). Symposium international “Adaptation and the Protean Politics of Margaret Atwood”, Université de Dijon, Feb 2019, Dijon, France. ⟨hal-03005675⟩
  • Elizabeth Mullen. Beyond Gilead: North American Women and Patriarchal Politics in The Handmaid’s Tale (Hulu, 2016-). Journée d’études « Les femmes dans les Amériques », UBS, Nov 2018, Lorient, France. ⟨hal-03005440⟩
  • Elizabeth Mullen. Blurred (Story) Lines: Feminism, Facts and Fear in The Handmaid’s Tale. Association of Adaptation Studies Annual Conference, “Facts: True, Alternative, Evolving”, University of Amsterdam, Sep 2018, Amsterdam, Pays-Bas. ⟨hal-03005441⟩
  • Elizabeth Mullen. Stranger than Stranger Things: The Symbiosis of 1970s Film, 21st Century Television and the American Grotesque. 24th Annual Sercia conference, “Symbiotic Cinema: Confluences Between Film and Other Media”, Linnæus University, Sep 2018, Växjö, Sweden. ⟨hal-03005443⟩
  • Elizabeth Mullen. Apocalypse mâle : grotesque et malaise masculine dans le cinema des années 1970. Journée d’études sur le grotesque, Université de Lille 3, Mar 2018, Lille, France. ⟨hal-03019354⟩
  • Elizabeth Mullen. Rewriting the Book on Regeneration Through Violence: Dickey’s Deliverance and John Boorman’s Sense of an Ending. Colloque International “Last Pages, Last Shots”, Université de Caen, Oct 2017, Caen, France. ⟨hal-03002952⟩
  • Elizabeth Mullen. None are immune: the spread of “Zombietainment” in 21st Century Film, Television and Beyond. 23rd Annual Sercia Conference, « “That’s Entertainment!”. Spectacle, Amusement, Audience and the Culture of Recreation in the Audiovisual Contexts of English-speaking countries », Università di Bologna, Sep 2017, Bologne, Italy. ⟨hal-03002950⟩
  • Elizabeth Mullen. Badmouthing Big Nurse: MAlevolent Matriarchy in One Flew Over the Cuckoo’s Nest (Forman, 1975). Journée d’étude, Représentations négatives de la femme au pouvoir : le côté obscur de la force, UBO, Mar 2017, Brest, France. ⟨hal-03002954⟩
  • Elizabeth Mullen. Diane de l’autre côté du miroir ? Iconoclasme artistique et représentation normative dans Fur: an Imaginary Portrait of Diane Arbus (Steven Shainberg, 2006). Journée d’Etudes « Genre, art et mémoire. Ce que les arts visuels font aux œuvres des créatrices », Université d’Angers, Jun 2016, Angers, France. ⟨hal-03002859⟩
  • Elizabeth Mullen. Licensed to Kill? Arming and Disarming Female Killers in Action Film and Parody in Mad Max: Fury Road (Miller 2015) and Spy (Feig 2015). Journée d’études “Women Who Kill in English-Speaking Cinema and TV Series of the Postfeminist Era” Université de Toulouse Jean Jaures, Oct 2016, toulouse, France. ⟨hal-03002858⟩
  • Elizabeth Mullen. Midnight Cowboy (Schelsinger, 1969) : kitsch et dégénérescence du rêve américain. Colloque International, « Kitsch et idéologies », UBO, Nov 2016, Brest, France. ⟨hal-03002860⟩
  • Elizabeth Mullen. ’You done took a wrong turn’: Seriality and the Recurrence of the Redneck in Film and Television, from Deliverance to Duck Dynasty. 22nd Annual Sercia Conference, “Cinema & Seriality”, Université de Paris 7, 8-10 September, 2016., Sep 2016, Paris, France. ⟨hal-03002856⟩
  • Elizabeth Mullen. “Masculine Malaise in 1970s Cinema: Fun with Don and Jack”. 21st annula Sercia conference, Masculine/Feminine: Gender in English-Language Film and Television, Université d’Artois, Sep 2015, Arras, France. ⟨hal-03000443⟩
  • Elizabeth Mullen. “Griffiths’ Grotesque Bodies: Miscegenation and White Masculine Malaise in The Birth of a Nation”. In the Shadow of The Birth of a Nation: A Centennial Assessment of Griffith’s Film, University College London, Jun 2015, Londres, United Kingdom. ⟨hal-03000442⟩
  • Elizabeth Mullen. “Diane Through the Looking Glass or “`Pelt of Perversion?’ Contextualizing Normativity in Fur: An Imaginary Portrait of Diane Arbus (Steven Shainberg, 2006)”. Congrès AFEA (Association Française des Etudes Américaines) : Mouvement, enracinement, fixité, Université de La Rochelle, May 2015, La Rochelle, France. ⟨hal-03000439⟩
  • Elizabeth Mullen. Palimpsestuous relationships and textually transmitted dis-ease : Remaking The Body Snatchers (1956, 1978, 1993 and 2007). Bis Repetita Placent? (2) Remakes, genre and gender in film and TV series, Donna Andréolle (Université du Havre, membre de GUEST-Normandie) et Claire Maniez (Université Grenoble 3, CEMRA), Oct 2014, Le Havre, France. ⟨hal-01260040⟩
  • Elizabeth Mullen. "Midnight Cowboy de John Schlesinger (1969) : sur les traces de la masculinité américaine". La trace de l'humain , CEIMA (Centre d'Etudes Interdisciplinaire du Monde Anglophone), Jun 2012, Brest, France. ⟨hal-01260093⟩
  • Elizabeth Mullen. Navigation en eaux troubles : la rivière comme passage/passeur dans Deliverance (Boorman 1972). 'Passeurs' From Shore to Shore: An International Conference on Cultural Conveyors and Go-Betweens" , CLIMAS (EA 4196), Jun 2010, Bordeaux, France. ⟨hal-01260089⟩
  • Elizabeth Mullen. What Would Mother Say? Spectres of Monstrous Maternity in Wise's The Haunting and Forman's One Flew Over the Cuckoo's Nest. Biannual Conference of the International Gothic Association, "Monstrous Media/Spectral Subjects", International Gothic Association, Jul 2009, Lancaster, United Kingdom. ⟨hal-01260076⟩
  • Elizabeth Mullen. Distorting Dialogues in John Huston's Reflections in a Golden Eye (1967)" . 14ème Congrès International de la SERCIA "Le cinéma parle : mots, voix et langue", Société des études et de la recherche sur le cinéma anglophone, Sep 2009, Nanterre, France. ⟨hal-01260056⟩

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